His creative work axis is the crossroad inner universe-outer universe, involving the resonances of ancestral and popular cultures -as living and mutant phenomena- in tension with a critical vision of the tradition of western concert music, understood as World music. All this from an approach to the different fields of meaning that sound generates as an integral phenomenon, assuming the here and now as synonymous for contemporary and integrating materials, sound sources as well as old and new technologies according to the demands of each particular creative process, which is based on intuition and listening as fundamental guides.
All works and processes have the same importance, they are part of the same impetus and creative perspective, that is why there’s no divisions or hierarchies between music pure and music for.
His creative work axis is the crossroad inner universe-outer universe, involving the resonances of ancestral and popular cultures -as living and mutant phenomena- in tension with a critical vision of the tradition of western concert music, understood as World music. All this from an approach to the different fields of meaning that sound generates as an integral phenomenon, assuming the here and now as synonymous for contemporary and integrating materials, sound sources as well as old and new technologies according to the demands of each particular creative process, which is based on intuition and listening as fundamental guides.
All works and processes have the same importance, they are part of the same impetus and creative perspective, that is why there’s no divisions or hierarchies between music pure and music for.
Selected works
- Travesía 0.22 (2022). Stage work created, directed and performed by Federea. Premiered in September 2022 at the Espacio Muégano Teatro, Guayaquil, Ecuador.
- The flight of the iguana project (2022). A work in progress. Original music (live) of the choreographic work by Talía Falconi. Premiered in August 2022 at the Teatro Capitol, Quito, Ecuador.
- Breakpoint Blues -Dedicated to Pauline Oliveros (2022). Listening score for group, published in June 2022 by The Center for Deep Listening at Rensselaer, Troy, NY, USA.
- Sigue corriendo (2021). Soundtrack of the Film by Talía Falconi. Premiered in June 2021 at the Sala Auditorio MAAC, Guayaquil, Ecuador.
- Friccionario (2021). Original music for the video dance work by Talía Falconi. Premiered in June 2021 at the Sala Auditorio MAAC, Guayaquil, Ecuador.
- Móvil Intangible (2020). Video-dance work by Talía Falconi. Original music by Federea. Created for the National Dance Company of Ecuador.Premiered in November 2020.
- Fluctuante (2020). Multiple video-dance by Talía Falconi. Original music by Federea. Fluctuante I-V winning work of the call for the "Contigo en la Distancia" program, FONCA, Mexico, 2020. Fluctuante VI work premiered at the XXV Festival de Danza Nuevas Tendencias, Mendoza, Argentina, 2020.
- Unmapped musics. A real time music creation experience (2020). Project of free improvisation and experimental music in collaboration with Danielle Bentley, for an interactive audience. Winner of the call of the Anywhere Festival, Brisbane, Australia, 2020.
- Volátil 0.99 (2020). Interdisciplinary stage work directed and performed by Federea.
- Somewhere at South (2019). Free improvisation music project in collaboration with Danielle Bentley, Australia, 2019.
- El olvido del ser (2019). Dance-theater work by Talía Falconi for María Luisa González. Original music and live performance by Federea (Andean flutes, Mexican violin, n'vike).
- Frágil (2018). Choreographic work by Talía Falconi. Original music and live performance by Federea (Andean flutes, piano, electric guitar, charango, voice, electronics).
- Granizoma 0.43 (2018). Mixed music for piano and two channels electroacústics.
- Heterónimos (2018). Mixed music for piano and two channels electroacústics.
- Episodios del jaguar (2017). Work for n'vike and electroacoustics.
- Volátil 0.97 (2017). Interdisciplinary stage work directed and performed by Federea.
- Amalgar (2016). Stage piece in collaboration with Talia Falconi.
- Invenciones de quietud y movimiento (2016). Stage work in co-creation and co-direction with Talía Falconi.
- Inestable (2016). Choreographic work by Talía Falconi. Original music and live performance by Federea (orchestral percussions, flutes, electronics). Created in residence at Centro de las Artes de San Luis Potosí, México.
- Blodimery (2015). Film by Francisco Denis. Original soundtrack by Federea. Awarded as Best Foreign Short Film Award at the Sunset Film Festival of Los Angeles 2016. Awarded as Best Narrative Award at the 2016 Romanian Festival.
- Pies morenos sobre piedras de sal (2015). Dramaturgical text by Ana María Vallejo, original music by Federea. Winner of the Iberescena-Ibermúsicas Award 2015.
- Puro Ayayay! (2015) choreographic work by Talía Falconi created for the Contemporary Dance Production Center (CEPRODAC), Mexico. Original music and live performance by Federea (flutes, n'vike, Mexican violin, cuatro, voice, electronics).
- Volátil 0.33 (2015). Interdisciplinary stage work directed and performed by Federea.
- LIDY -la inmolación del yo- (2015) by Marcos Ariel Rossi and Foramen M. Ballet. Original music, sound design and live performance (piano, voice, electronics).
- Trío Insultante (2015) Dance-Theater work by Talía Falconi. Original music by Federea.
- Melodía Retro (2015). Stage piece in co-creation with Talía Falconi.
- 43mil (2015). Radio art work produced for the cycle If there is forgetfulness there is no justice, we are missing 43 by Radio UNAM, Mexico.
- Aproximaciones Dislocadas (2014) Choreographic installation in co-creation with Talía Falconi.
- Volátil 0.27 (2014). Interdisciplinary stage work directed and performed by Federea.
- Coreografía acústica para solista (2014). Radio art work in 2 channels.
- Federea (2013). Stage show including music, sound poetry, performance and video. Directed and performed by Federea.
- Cobweb (2013). Videodance by Talía Falconi. Soundtrack.
- 50 (La Mitad) (2013) by Talía Falconi. Created in residence with the National Dance Company of Ecuador. Original music.
- La memoria labra su íntimo edén (2012) by Marcos Ariel Rossi. Original music, sound design and live performance (piano, voice, charango, electronics).
- Se pinchan llantas gratis (2012) by Talía Falconi. Created in residence with the Ecuador National Ballet. Original music.
- La Feria Imposible (2012). Stage work in co-creation and co-direction with Talía Falconi.
- Tango tucumano # 1 y # 2 (2012). Music-theater for piano and bandoneon. Commission by Frania Mayorquín within the framework of the Promotion and Co-investment Program of the National Fund for Culture and the Arts of Mexico (FONCA).
- ON. Lo real de lo virtual (2011), by Marcos Ariel Rossi and Foramen M. Ballet, México. Original music and live performance (prepared piano, voice, percussion, electronics).
- Música para pelucas (2011). Stage work in co-creation and co-direction with Talía Falconi.
- ‘ón‘toy (música extendida 0.11) (2010). Music-theater for two horns, two percussions, piano and four speakers.
- Canción zapatista (2010). Multi-channel Andean flutes work.
- vo’vé (2009). Sound poem in two channels. Sound Art International Festival SONOM 2012.
- Aguas revueltas (Homenaje a Silvestre Revueltas) (2009, rev. 2017). For Mexican violin and electroacoustics.
- Suite foi (2009). Mixed music for piano, flutes and tape.
- Quinteto para atravesar la nada (2008/2009). Flute, Bb clarinet, viola, double bass and piano.
- corite-mapaihnu (irradiación 0.2) (2007/2008). Acousmatic work in 2 channels. Awarded at the Seventh International Radio Biennial 2008. Selection of the exhibition Modos de oir. Art and sound practices in Mexico, Ex Teresa Arte Actual and Arte Alameda Laboratory, Mexico City, 2018/2019.
- Dos intersticios (2007). Music-theater for a pianist and a piano.
- Copla (2004, rev. 2008). For double mixed choir and two percussionists.
- Ronda (2003). For alto saxophone and vibraphone.
- Cronotopia 3-Fragmentaciones (2002). Stage poem for 11 instrumentalists, 5 actors and 2 channels tape.
- Cronotopia 2- Periferia (2001). For symphonic orchestra.
- Cronotopía 1- Extravío (2000). For chamber orchestra.
- Pequeños indicios para disociar ausencia y falta (1999-2000). Music-theater for two voices, clarinet, cello and piano.
- De cómo el charco y su espejo (1998). For amplified classical guitar and 2 channels electroacoustics.
- Bitácora (1998). For Chamber Ensamble and 2 channels electroacoustics.
- Heptaprismaz (humo) (1997). For flute, guitar, cello, percussion and declaimer.
- Travesía 0.22 (2022). Stage work created, directed and performed by Federea. Premiered in September 2022 at the Espacio Muégano Teatro, Guayaquil, Ecuador.
- The flight of the iguana project (2022). A work in progress. Original music (live) of the choreographic work by Talía Falconi. Premiered in August 2022 at the Teatro Capitol, Quito, Ecuador.
- Breakpoint Blues -Dedicated to Pauline Oliveros (2022). Listening score for group, published in June 2022 by The Center for Deep Listening at Rensselaer, Troy, NY, USA.
- Sigue corriendo (2021). Soundtrack of the Film by Talía Falconi. Premiered in June 2021 at the Sala Auditorio MAAC, Guayaquil, Ecuador.
- Friccionario (2021). Original music for the video dance work by Talía Falconi. Premiered in June 2021 at the Sala Auditorio MAAC, Guayaquil, Ecuador.
- Móvil Intangible (2020). Video-dance work by Talía Falconi. Original music by Federea. Created for the National Dance Company of Ecuador.Premiered in November 2020.
- Fluctuante (2020). Multiple video-dance by Talía Falconi. Original music by Federea. Fluctuante I-V winning work of the call for the "Contigo en la Distancia" program, FONCA, Mexico, 2020. Fluctuante VI work premiered at the XXV Festival de Danza Nuevas Tendencias, Mendoza, Argentina, 2020.
- Unmapped musics. A real time music creation experience (2020). Project of free improvisation and experimental music in collaboration with Danielle Bentley, for an interactive audience. Winner of the call of the Anywhere Festival, Brisbane, Australia, 2020.
- Volátil 0.99 (2020). Interdisciplinary stage work directed and performed by Federea.
- Somewhere at South (2019). Free improvisation music project in collaboration with Danielle Bentley, Australia, 2019.
- El olvido del ser (2019). Dance-theater work by Talía Falconi for María Luisa González. Original music and live performance by Federea (Andean flutes, Mexican violin, n'vike).
- Frágil (2018). Choreographic work by Talía Falconi. Original music and live performance by Federea (Andean flutes, piano, electric guitar, charango, voice, electronics).
- Granizoma 0.43 (2018). Mixed music for piano and two channels electroacústics.
- Heterónimos (2018). Mixed music for piano and two channels electroacústics.
- Episodios del jaguar (2017). Work for n'vike and electroacoustics.
- Volátil 0.97 (2017). Interdisciplinary stage work directed and performed by Federea.
- Amalgar (2016). Stage piece in collaboration with Talia Falconi.
- Invenciones de quietud y movimiento (2016). Stage work in co-creation and co-direction with Talía Falconi.
- Inestable (2016). Choreographic work by Talía Falconi. Original music and live performance by Federea (orchestral percussions, flutes, electronics). Created in residence at Centro de las Artes de San Luis Potosí, México.
- Blodimery (2015). Film by Francisco Denis. Original soundtrack by Federea. Awarded as Best Foreign Short Film Award at the Sunset Film Festival of Los Angeles 2016. Awarded as Best Narrative Award at the 2016 Romanian Festival.
- Pies morenos sobre piedras de sal (2015). Dramaturgical text by Ana María Vallejo, original music by Federea. Winner of the Iberescena-Ibermúsicas Award 2015.
- Puro Ayayay! (2015) choreographic work by Talía Falconi created for the Contemporary Dance Production Center (CEPRODAC), Mexico. Original music and live performance by Federea (flutes, n'vike, Mexican violin, cuatro, voice, electronics).
- Volátil 0.33 (2015). Interdisciplinary stage work directed and performed by Federea.
- LIDY -la inmolación del yo- (2015) by Marcos Ariel Rossi and Foramen M. Ballet. Original music, sound design and live performance (piano, voice, electronics).
- Trío Insultante (2015) Dance-Theater work by Talía Falconi. Original music by Federea.
- Melodía Retro (2015). Stage piece in co-creation with Talía Falconi.
- 43mil (2015). Radio art work produced for the cycle If there is forgetfulness there is no justice, we are missing 43 by Radio UNAM, Mexico.
- Aproximaciones Dislocadas (2014) Choreographic installation in co-creation with Talía Falconi.
- Volátil 0.27 (2014). Interdisciplinary stage work directed and performed by Federea.
- Coreografía acústica para solista (2014). Radio art work in 2 channels.
- Federea (2013). Stage show including music, sound poetry, performance and video. Directed and performed by Federea.
- Cobweb (2013). Videodance by Talía Falconi. Soundtrack.
- 50 (La Mitad) (2013) by Talía Falconi. Created in residence with the National Dance Company of Ecuador. Original music.
- La memoria labra su íntimo edén (2012) by Marcos Ariel Rossi. Original music, sound design and live performance (piano, voice, charango, electronics).
- Se pinchan llantas gratis (2012) by Talía Falconi. Created in residence with the Ecuador National Ballet. Original music.
- La Feria Imposible (2012). Stage work in co-creation and co-direction with Talía Falconi.
- Tango tucumano # 1 y # 2 (2012). Music-theater for piano and bandoneon. Commission by Frania Mayorquín within the framework of the Promotion and Co-investment Program of the National Fund for Culture and the Arts of Mexico (FONCA).
- ON. Lo real de lo virtual (2011), by Marcos Ariel Rossi and Foramen M. Ballet, México. Original music and live performance (prepared piano, voice, percussion, electronics).
- Música para pelucas (2011). Stage work in co-creation and co-direction with Talía Falconi.
- ‘ón‘toy (música extendida 0.11) (2010). Music-theater for two horns, two percussions, piano and four speakers.
- Canción zapatista (2010). Multi-channel Andean flutes work.
- vo’vé (2009). Sound poem in two channels. Sound Art International Festival SONOM 2012.
- Aguas revueltas (Homenaje a Silvestre Revueltas) (2009, rev. 2017). For Mexican violin and electroacoustics.
- Suite foi (2009). Mixed music for piano, flutes and tape.
- Quinteto para atravesar la nada (2008/2009). Flute, Bb clarinet, viola, double bass and piano.
- corite-mapaihnu (irradiación 0.2) (2007/2008). Acousmatic work in 2 channels. Awarded at the Seventh International Radio Biennial 2008. Selection of the exhibition Modos de oir. Art and sound practices in Mexico, Ex Teresa Arte Actual and Arte Alameda Laboratory, Mexico City, 2018/2019.
- Dos intersticios (2007). Music-theater for a pianist and a piano.
- Copla (2004, rev. 2008). For double mixed choir and two percussionists.
- Ronda (2003). For alto saxophone and vibraphone.
- Cronotopia 3-Fragmentaciones (2002). Stage poem for 11 instrumentalists, 5 actors and 2 channels tape.
- Cronotopia 2- Periferia (2001). For symphonic orchestra.
- Cronotopía 1- Extravío (2000). For chamber orchestra.
- Pequeños indicios para disociar ausencia y falta (1999-2000). Music-theater for two voices, clarinet, cello and piano.
- De cómo el charco y su espejo (1998). For amplified classical guitar and 2 channels electroacoustics.
- Bitácora (1998). For Chamber Ensamble and 2 channels electroacoustics.
- Heptaprismaz (humo) (1997). For flute, guitar, cello, percussion and declaimer.